Detroit Techno - The Creation of Techno Music und Bridging the Gap: The Joe Dulin Story in an Memory of a good Friend:)
… Detroit Techno - The Creation of Techno Music
HIGH TECH SOUL is the first documentary to tackle the deep roots of techno music alongside the cultural history of Detroit, its birthplace. From the race riots of 1967 to the underground party scene of the late 1980s, Detroit’s economic downturn didn’t stop the invention of a new kind of music that brought international attention to its producers and their hometown. Featuring in-depth interviews with many of the world’s best exponents of the artform, High Tech Soul focuses on the creators of the genre — Juan Atkins, Derrick May, and Kevin Saunderson — and looks at the relationships and personal struggles behind the music. Artists like Richie Hawtin, Jeff Mills, Carl Craig, Eddie Fowlkes and a host of others explain why techno, with its abrasive tones and resonating basslines, could not have come from anywhere but Detroit.
Bridging the Gap: The Joe Dulin Story
“Bridging the Gap” is the story of a failing educational system and the life of an extremely unique man named Joseph Dulin, who has devoted his life to successfully educating kids whom under normal circumstances, would have fallen through the cracks of the urban educational system. St Martin DePorres Catholic High School was on the verge of bankruptcy after the Riots in 1967, as Dulin took on the unenviable task of transforming the faltering school into an educational success story by using his unique blend of charisma, discipline and unconditional love for his students, who amazingly achieved a 78% College enrollment in a city where the dropout rate is at 79% (in 2006). Outside of traveling for months as a Special Advisor directly to Al Gore during the 2000 election, Dulin has been featured in Time magazine, on The Phil Donahue and highlighted in countless areas of local a national press documenting his fight to educate, and be educated on equal terms, regardless of race or socioeconomic status. As a young man growing up in Evansville Indiana, Dulin stood up to the racism and the resultant anomie that faced most young Black Americans of the 50’s and 60’s who lived near that line of demarcation known as the Mason-Dixon. But like a prizefighter that uses his brain instead of his fists, Dulin persevered. Whether it was the inequalities of the school system or the institutional racism of the Catholic Church, Dulin never backed down when it came to fighting for equal rights for African Americans during the Civil Rights Movement and beyond. Before starting Roberto Clemente Student Development Center, Dulin applied his fearlessness and convictions to the Detroit Catholic Educational system by transforming St Martin Deporres into a model for not only all Black Catholic High School’s, but all Catholic High Schools, irrespective of race. Directors Gary Bredow and Per Franchell followed Principal Dulin over the course of three school years at Roberto Clemente School in Ann Arbor, where Dulin has been the principal for over 30 years. The result is a gripping exploration of the fine line between success and failure of students who live in a world that is punctuated by economic strife and violence. Dulin and his staff run the school more like a family, and deal with issues one student at a time with great detail and concern. Because of the unique practices that are an everyday occurrence at “Clemente’, they have met the challenge with astounding success, despite the proverbial deck that is stacked against the kids and their families. “Bridging The Gap” in an unflinching view of the realities of the American Urban educational experience and one man’s diligent and successful response in navigating these students over the widening chasm of failure.FB-Event http://www.eigenleben.copyriot.com/
~ Za! ~
Pedal-Pitched Polyrythms From Barcelona / Dual Kalimba Krazyness / Do The Math, Africa!
Die zwei Wilden von Za! aus Barcelona vollführen wahre Instrumentenakrobatik: Sperrig und schräg überschlagen sich donnernde Gitarren, Afro Beats, noisiger Free Jazz und flirrende Synthies, aufgemischt von gelooptem Stimmengewirr. Die ausgefallenen Kompositionen von Za! sind eine Art musikalischer Dadaismus und funktionieren nach ganz eigenem Regelwerk.
Za! is a band from Barcelona composed by 2 people and more than 2 instruments (drums, guitar, keyboard, voice, trumpet, kalimba, sampler).
Za! have played more than 200 shows including acts in international festivals (South by South West, Primavera Sound, Sonar Festival, Eurosonic, Trans Musicales, Milhoes de Festa, Fusion Fest, Zappanale), tours in USA, UK, Portugal, Germany, Holland, Belgium, France, Switzerland and Spain, and sharing shows and tours either with noise bands (Lightning Bolt, Yellow Swans, Extra Life, Zu, etc), rock bands (El Guincho, Delorean, And You will Know us by the Trail of dead, Mark Eitzel, etc) or free jazz artists (Peter Brötzmann, Paal Nilssen Love, etc).
Za! loves sharing stage with other musicians and creating new music altogether. They have peformed improvisated and unique shows along with Damo Suzuki (Can), Angel Deradoorian (Dirty Projectors), Pony Bravo, Les Aus, Nisei or Estrategia Lo Capto.
Za! have recently released their 3rd album, MEGAFLOW, through Acuarela, Gandula, Discorporate (Germany), Moorworks (Japan) and Secret Hymns (UK). Their 2nd album, Macumba o Muerte, was rated number 2 of the year and one of the best spanish albums of the century by Rockdelux, and was awarded by the Spanish Independent Label Union.
~ COTTON PONIES ~
Schwer beeinflusst von Bands wie Shellac, Ex-Models, Sonic Youth oder Hella, schrammeln sich die Cotton Ponies durch ihre beherzten Songs und tauschen alle furzlang die Instrumente. Die drei blutjungen Erfurter haben bisher zwei EPs beim Kollektiv „I love Marbach Records“ veröffentlicht und planen dieses Jahr ihre erste LP auf einem Majorlabel. Sonst in so illustren Gruppen wie Zentralheizung of Death, Mukra und der heiligen Welt aus Hack zugegen, hinterließen sie auf dem ersten SHOW.OFF-Fest schon einige jaw-drops.
Ab 21:30 Uhr kommt ihr rein. Bring your Mütze mit Ventilator dran. Institut für vergleichende Irrelevanz, Kettenhofweg 130, 60325 Frankfurt